Film Production Descriptive Essay Example for Free

Film Production Descriptive Essay The development stage is one of the most crucial stages for a producer, it is where you get the chance to plan every aspect of your production before you begin pre-production and production. The chance to get the ball rolling right. During the discovery stage of the film it is the producers role to obtained rights or an option to a film that he thinks is promising, if the rights owner is worried that their novel might be tainted by a film maker the producer must come to a legal agreement to maintain a certain set of standards concerning film director, cast and art department. Pre-production Producers role is to meet with all other heads of department to discuss direction of film, intent, budget and other relevant items needed before any production is to start. Legal documentation, planning, hiring, actors, art department. It is the producers role to helm all the creative people involved in the production as well as give some creative input. Financially it is the producers role to organise financing for the film whether that be through loans, offsets, co production, investors. The producer must discuss with all heads of department information gathered during development phases. Production The producers role during production is to organise all departments into a functioning crew. The producer may often not be on set personally whilst much of the principal photography is going on, thus they will appoint executive producers, line producers and associate producers to oversee their interests during production. Post production The producer has final say in the edit and sound used for the film, what scenes are shown and ultimately whether or not more footage will need to be shot after principal photography. For example, they might want an alternate ending. Distribution Distribution is the second of the most important stages of the production process. Distribution is where you get to create an audience for your film! As a producer your goal is to obviously have people watch your production and the distribution phase is where the producer gets to plan marketing objectives and then distribution objectives. This is the most rewarding stage of the process but also the most difficult for many considering our media overloaded world. What is meant by Genre, Auteur and Mise-En-Scene. Give examples of three different feature film genres and the major elements that define each particular genre, as well as some specific examples of the genre. Also give an example of an auteur, including examples of his/her films. Give an example of two completely different mise-en-scenes for a simple dialogue scene between two people having an argument about their relationship. The basics for the genre is drama, or the type of it. In feature films there are many types of genre, for example action, horror, romance, sci-fi, comedy. Essentially drama is telling you what the film will be loosely based around. Action Action scenes where there is intense action!! Guns, Cars, Stunts, Explosions Romance Often a story about a romantic encounter, relationships, sex Comedy- Often a story with comedic elements intended for the audience to enjoy themselves and laugh An autuer is a filmmaker whos pieces of work are distinctive in terms of the cast, locale, theme and visual style and is therefore considered an author of their work. One of my favourite authors is Baz Lurhmann whos first three productions are said to be the red curtain trilogy in which each of the three films has similarities. Each film establishes their story through a established thematic device, Dancing from Strictly Ballroom, poetry from Romeo and Juliet and music in Moulin Rogue. Each film also has a plot which is based off a well known story or myth. And there is a theatre motif which appears throughout all the films. What are the various contracts and other documents a Producer is responsible for when producing a feature film? There is quite a lot of documentation and contracts that go along with a film production, all of which a producer is responsible for. Contracts and agreements range from; assignment of copyright, production and investment agreements, film producers indemnity, multi-risks insurance, safety reports, Production agreement, non-disclosure agreements, post production deals, facilities deals. Chain of Title Assignment of Copyright The assignments of rights from the original artist to the producer, therefore the producer is now able to reproduce the work. Chain of Title The chain of title in film is a set of documentation that establishes the producers right to create and market the film. Typically includes, scriptwriters agreements, development agreements option agreements and rights assignments. Buyout A re-assignment to the producer from a development investor acting on behalf of the copyright owner in a project on repayment of the development investment plus interest. Option A purchase of time for a film to develop the work. Producers typically take out options on a work for a specific time and fee. This gives them the exclusive right to develop and finance the film.m Producers indemnity Insurance which provides financial compensation for the films budget in case of the production going over budget because of death, injury or illness. Multi-risks insurance Insurance that provides compensation if any production equipment is damaged during principal photography What are the various financial sources for an Australian Film? Explain what each one is Screen Australia Screen Queensland Producer Offset This is a grant given by the government to the production after completion of the film some films use this money for the budget as they can rely on it after completion or it helps to achieve a film that will do better in distribution. Broadcasting Company grant/funding Co-Productions Grants Money that is donated to the production that does not need to be paid back

Reality versus Illusion in Whos Afraid of Virginia Woolf? Essay

Reality versus Illusion in Who's Afraid of Virginia Woolf?      Ã‚  Ã‚  Ã‚   In his play, The American Dream, Edward Albee unveils a tortured family that is symbolic of the reality beneath the illusion of the American dream.   In Who's Afraid of Virginia Woolf, Albee takes a more traditional approach than the theater of the absurd, and his language is more natural, but he returns to this theme with a vengeance.   For in all of drama there are few plays about domestic relationships that are as caustic, violent and as poisoned with the milk of human bitterness, cynicism and pessimism as is Woolf.   The story regards George and Martha, a married couple (he a history professor and she the University President's daughter).   Verbally and emotionally George and Martha are as skilled at cutting each other without going for the final kill as much as a professional torturer trained to prolong his victim's agony.   Into this volley of abuse come Nick and Honey, a young couple who also share a vision of the "American dream," but Albee portrays Nick as the victor in his battles with George because George is of the old school and Nick has already been indoctrinated into the new American culture of capitalism for its own sake.      The theme of the play, other than touching on the disillusionment of the American dream for the younger generation, and a robotic-like acceptance of the evolved "capitalized" version by the older generation, is that each of the characters in the play, like each of us in real life, are destined to struggle through our own personal hell, a struggle that we face alone "It becomes clear that each character is engaged in an isolated struggle through a personal hell" (Murphy 1113).   The plot centers around George and Martha's p... ...e his themes in the play.   Truth versus illusion, reality versus perception, and union versus inability to come together are the main themes the author chooses to highlight throughout the work.   In the end, once all illusions have been stripped or peeled away, Martha and George have a chance to come together in an effort to save their marriage.   As Martha says to end the play in response to George's singing "Who's afraid of Virginia Woolf"; "I...am...George...I...am..." (Albee 242).   Only from this point of truth can George and Martha hope to save their troubled marriage.    WORKS   CITED Albee, E.   Who's Afraid of Virginia Woolf?.   New York:   Signet, 1962. Carter, S.   Albee's 'Who's Afraid of Virginia Woolf?"   The Explicator.   Vol. 56.   June 22, 1998, 215-218. Murphy, B, ed.   Benet's Reader's Encyclopedia.   New York:   HarperCollins Publishers, 1996.

Descriptive essay Essay

I turn the key and hear the old engine turn over a few times, struggling to get going. Eventually it starts. The engine sounds rough when cold, but with a few quick revs, it starts to sound a little better. The â€Å"check† light flashes at me until I press the brake pedal to let the car test the brake lights, or press the â€Å"check† button on the roof near the sunroof adjustment switch, between the two visors. When I press the â€Å"check† button, seven small, red, LED lights brighten to show me that they are functioning properly. They are there to warn me of low oil, or low coolant, or to let me know if any brake lights, taillights, or headlights are not working. Clicking the sunroof button reclines the glass above my head. The sun beams into the interior and heats the leather. From the front seats, the pealing and fading grayish-silver paint on the hood is visible. The dark brown dashboard has several cracks, is dusty, and feels smooth to the touch. The tan glove box is protected by lock and secured with all the important documents. The modern stereo was installed improperly and sometimes different speakers fade in and out, and the stereo needs a nudge to get the sound to play in those speakers again. The dashboard lights are very dim at night, and can hardly be seen. The center console contains the dark-brown gear shifter, and around that are four window switches that correspond to the two power windows. Sitting upright in the driver seat gets the sweet smell of food. Fries, Burgers, spilled sour patches, and beef jerky (luckily it only the smell that fills the air, and not the actual food products). Once it starts rolling, the windows go down and the only smell that’s present is the scent of New Jersey pollution. Gas from the vehicle in front of me drips off and skims my tires. The smoke that people are blowing out from cigarettes ahead fills my surroundings with remembrance of death. The car sounds old, and it seems the engine makes a lugging noise while accelerating. The brakes squeal while braking, and sometimes the dark-brown leather steering wheel vibrates. After long trips, the car smells like burnt oil, but when fresh, the car smells like aged leather. If the heat is turned on, the car can become quite warm when fully warmed up, but the air conditioning does not work, so it’s never colder in the car than it is outside. The car tastes like †¦ well I actually don’t know because I don’t lick my car.

Discuss Marxism and Functuionalism and Compare - 1133 Words

Compare Marxist and Functionalist Perspectives Compare and Contrast Functionalist and Marxist Perspectives Sociology is a systematic way of studying the social world. It seeks to discover the causes and affects of intercommunication and interaction that arise in social relations. The science of society was developed as a discipline in the 19th Century by Auguste Compte, a French philosopher. For him, common sense and the obvious would not suffice; he wanted to build scientific theories based on critical awareness of society. The two main stems of sociological concepts are Positivism and Phenomenology. Both Functionalism and Marxism are Positivist theories. This means that philosophies are built by using scientific research methods to†¦show more content†¦Marxism relates class not to income or family like functionalism does, instead it is measured on how much land, machinery... is owned and controlled- so it depends on the means of production. The person(s) who had the most means of production are the ruling class. The ruling class produces the dominant ideas in society. Their domination relies heavily on the exploitation and oppression of others. The employer to employee relationship of exploitation is concealed by ideology. Some accept the ruling class conflict as natural and so are lulled into false consciousness. Functionalism relies on social stratification. Kingsley Davis, an American Sociologist and Demographer said As a functioning mechanism society must distribute its members in social positions and induce them to perform the duties of these positions. Without this casting of society’s members, the institutions would be unbalanced and equilibrium could not be reached. Functionalism sees this as a positive and inevitable aspect of society. In Marxism, the lower classes are exploited because they can be. Social change in Functionalism occurs when one of the institutions alters in some way. These changes only come about when society requests it. These changes in institutions cause society to behave, inevitably different. Marx believed all historical societies contain basic contradictions: the exploitation of one social group by another. Perhaps in a way, Marxism is perhaps a little more